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Ancient Greek Language

The Ancient Greeks were the first Europeans to read and write with an Alphabet, which eventually led to all modern European languages.
The Ancient Greek Language has different theories of origin; firstly some believe it migrated with the Proto-Greek speakers into the Greek Peninsula, dating from 2500BC to 1700 BC. Second Theory considers the migration into Greece happened before Proto-Greek, so the characteristics of Greek sounds were later.

Greek alphabet - Classical Attic pronunciation

Ancient Greek Dialects

Different variants of the early Greek alphabet suited to local dialects. There were three major dialects in ancient Greece, Aeolic, Doric and Ionic. Each of these were from different tribes, the Aeolians lived in the islands of the Aegean, the Dorians, from the Greek coast of Peloponnesus, including Crete, Sparta and other parts of West Coast Asia Minor. The Ionians settled in the West coast of Asia Minor including the Smyma.
The first surviving script for writing Greek was the Linear B discovered in 1953. It was used for the archaic Mycenaean dialect. When Mycenaean civilization was destroyed, there was a period of roughly five hundred years, when writing was either not used, or either that there was nothing that survived.

Homer's poetry of the Iliad and Odyssey were written in a sort of literary Ionic with some borrowed words from the other dialects. Ionic, became the first literary language of ancient Greece until the ascendancy of Athens in the late fifth century. Greek lyrical poetry and Ancient Greek Tragedy was written in Doric.

Attic Greek was a sub dialect of Ionic that belonged to the language of the Athenians for centuries. Classical Literature that survived is written in Attic Greek, this includes extant text of Plato and Aristotle .

Hellenistic Greek 'Koine' (meaning Common, also known as Biblical Greek) came from the colonization of Asian Minoans to Egypt and to the Middle East; this is where the language evolved into multiple dialects. Alexander the Great was instrumental in combining these dialects to make the 'Koine' dialect. As this allowed Alexander's combined Army to communicate with itself and the language also taught the inhabitants of the land he conquered, making Greek a world language. This then allowed the Greek language to flourish during the Hellenistic period.

From the beginning of the classical period, Greek has been written in the Greek alphabet, which was derived from the Phoenicians. This is clear from the shape of the letters, even Herodotus in his book of Histories, claimed the Greek alphabet included Phoenician styled letters in the alphabet, However, the Phoenician language only had letters for constants, which the Greeks adopted and evolved to included letters of sounds that were not included. Early Ancient Greek was also written from right to left, the same as the Phoenician.

Clothing

Ancient Greek clothing was typically homemade and the same piece of homespun fabric that was used as a type of garment, or blanket. From Greek vase paintings and sculptures, we can tell that the fabrics were intensely colored and usually decorated with intricate designs.

Clothing for women and men consisted of two main garments-a tunic (either a peplos or chiton) and a cloak (himation). The peplos was a large rectangle of heavy fabric, usually wool, folded over along the upper edge so that the over fold (apoptygma) would reach to the waist. It was placed around the body and fastened at the shoulders with a pin or brooch. There were armholes were on each side, and the open side of the garment was either left that way, or pinned or sewn to form a seam.

The chiton was made of a much lighter material, normally linen. It was a very long and very wide rectangle of fabric sewn up at the sides, pinned or sewn at the shoulders, and usually girded around the waist. Often the chiton was wide enough to allow for sleeves that were fastened along the upper arms with pins or buttons. Both the peplos and chiton were floor-length garments that were usually long enough to be pulled over the belt, creating a pouch known as a kolpos. Under either garment, a woman might have worn a soft band, known as a strophion, around the mid-section of the body.

Men in ancient Greece customarily wore a chiton similar to the one worn by women, but knee-length or shorter. An exomis (a short chiton fastened on the left shoulder) was worn for exercise, horse riding, or hard labor. The himation (cloak) worn by both women and men was essentially a rectangular piece of heavy fabric, either woolen or linen. It was draped diagonally over one shoulder or symmetrically over both shoulders, like a stole.

Women sometimes wore an epiblema (shawl) over the peplos or chiton. Young men often wore a chlamys (short cloak) for riding. Greek men occasionally wore a broad-brimmed hat (petasos), and on rare occasions, Greek women donned a flat-brimmed one with a high peaked crown.

Jewelry

Different types of jewelry were produced in the Hellenistic period of Ancient Greece-Necklaces, earrings, pendants, pins, bracelets, armbands, thigh bands, finger rings, wreaths, diadems, and other elaborate hair ornaments.

Bracelets were often worn in pairs or in matched sets. Pieces were usually inlaid with pearls and dazzling gems or semiprecious stones-emeralds, garnets, carnelians, banded agates, sardonyx, chalcedony, and rock crystal. Artists also incorporated colorful enamel inlays that dramatically contrasted with their intricate gold settings.

Elaborate subsidiary ornamentation drew plant and animal motifs, or the relation between adornment and the goddess, Aphrodite, and her son, Eros. Popular designs for earrings included; Airborne winged figures, such as Eros, Nike, and the eagle of Zeus carrying Ganymede up to Mount Olympus.

In Hellenistic times, jewelry was often passed down through generation. Occasionally, it was dedicated at sanctuaries as offerings to the gods. There are records of headdresses, necklaces, bracelets, rings, brooches, and pins in temple and treasury inventories, as, for example, at Delos. Hoards of Hellenistic jewelry that were buried for safekeeping in antiquity have also come to light. Some of the best-preserved samples come from tombs where jewelry was usually placed on the body of the deceased. Some of these pieces were made specifically for interment; however, most were worn during life.

Ancient Greek Everyday Life

Men if they were not training in military, or discussing politics went to the Theatre for entertainment. To watch dramas that they could relate to, including tragedies and comedies. These often involved current politics and gods in some form. It is thought that women were not allowed to watch theatre or perform at the theatre, although male actors did play women roles.

Lives of Women in Ancient Greece were closely tied to domestic work, spinning, weaving and other domestic duties. They were not involved in public life or in politics. The live were normally quite confined to the house although one public duty was acting as a priestess at a temple.

Children in ancient Greece usually occupied their time playing with toys and games.

Farming and Food

The majority of Ancient Greek people made their living from farming. Citizens often had land outside the city which provided their income. The Greek landscape and climate was difficult to farm.

Grapes were usually picked around September and either kept for eating or made into wine. Making wine was done by treading and kept in jars to ferment. Olives were either picked by hand or knocked out of the tress with wooden sticks. Some were crushed in a press to produce olive oil and some eaten. This was an important product to the Greeks that had many uses including; cooking, lighting, beauty products and for athletic purposes. It is also believed that uprooting an olive tree was a criminal offence. The grain was usually harvest around October to ensure it would grow during the wettest season. A man drove the ox driven plough, as second man sowed the seeds behind. In Spring the Crops were harvested using curved knives (sickles). After harvesting the grain, it was then thrashed, using mules and the help of the wind to separate the chaff from the grain, the husks were then removed by pounding the grain with a pestle and mortar.

Ancient Greeks usually ate bread (barley or wheat) and porridge, accompanied with food such as cheese, vegetables, fish, eggs and fruit. Animal such as deer, hare and boars were hunted only as addition to the food supply. Seasoning usually involved coriander and sesame seeds. Honey was probably the only sweetening that existed at the time, importance this is shown as the beehives were kept in terracotta

Ancient Greek Games

Greek boys played games like hockey, which were not part of the Olympic Games. The Ancient Greek boys usually played games naked, so girls were forbidden to watch. Ancient Greek women and girls were not expected to do much physical activity for recreation purposes. From this pot we can see a young girl, juggling three balls, but there is nothing to presume she was a performer, as she is dressed like an ordinary girl.

The Ancient Greeks also played games that did not involve much physical activity also, such as marbles, dice, checkers and knucklebones. Below is a famous vase from the Vatican museum depicting Achilles and Ajax playing 'Petteia' checkers. The Ancient Greek version of checkers was similar to what the current game of backgammon is where the Game backgammon is derived from. The Ancient Greek version of Checkers involved a board, stones and dice.

The Greeks invented athletic contests and held them in honour of their Gods. The Isthmos game were staged every two years at the Isthmos of Corinth. The Pythian games took place every four years near Delphi. The most famous games held at Olympia, South- West of Greece, which took place every four years. The ancient Olympics seem to have begun in the early 700 BC, in honour of Zeus. No women were allowed to watch the games and only Greek nationals could participate. One of the ancient wonders was a statue of Zeus at Olympia, made of gold and ivory by a Greek sculptor Pheidias. This was placed inside a Temple, although it was a towering 42 feet high.

The games at Olympia were greatly expanded from a one-day festival of athletics and wrestling to, in 472 BC, five days with many events. The order of the events is not precisely known, but the first day of the festival was devoted to sacrifices. On the Middle Day of the festival 100 oxen were sacrificed in honor of a God. Athletes also often prayed and made small sacrifices themselves..

On the second day, the foot-race, the main event of the games, took place in the stadium, an oblong area enclosed by sloping banks of earth.
At Olympia there were 4 different types of races; The first was stadion, the oldest event of the Games, where runners sprinted for 1 stade, the length of the stadium(192m). The other races were a 2-stade race (384 m.), and a long-distance run which ranged from 7 to 24 stades (1,344 m. to 4,608 m.).The fourth type of race involved runners wearing full amor, which was 2-4 stade race (384 m. to 768 m.), used to build up speed and stamina for military purposes.

On other days, wrestling, boxing, and the pancratium, a combination of the two, were held. In wrestling, the aim was to throw the opponent to the ground three times, on either his hip, back or shoulder. In ancient Greek wrestling biting and genital holds were illegal.

Boxing became more and more brutal; at first the pugilists wound straps of soft leather over their fingers as a means of deadening the blows, but in later times hard leather, sometimes weighted with metal, was used. In the pancratium, the most rigorous of the sports, the contest continued until one or the other of the participants acknowledged defeat.

Horse-racing, in which each entrant owned his horse, was confined to the wealthy but was nevertheless a popular attraction. The course was 6 laps of the track, with separate races for whereupon the rider would have no stirrups. It was only wealthy people that could pay for such training, equipment, and feed of both the rider and the horses. So whichever horse won it was not the rider who was awarded the Olive wreath but the owner. There were also Chariot races, that consisted of both 2-horse and 4-horse chariot races, with separate races for chariots drawn by foals. There was also a race was between carts drawn by a team of 2 mules, which was 12 laps of the stadium track.

After the horse-racing came the pentathlon, a series of five events: sprinting, long-jumping, javelin-hurling, discus-throwing, and wrestling.
The ancient Greeks considered the rhythm and precision of an athlete throwing the discus as important as his strength.

The discus was a circle shaped stone, iron, bronze, or lead. There were different sizes according to age groups. The javelin was a long wooden stick shape with spear head, similar height to that of a person. In the middle was bound a thong for a hurler's fingers to grip and guide to the correct angle it was thrown.

To Jump long distances athletes used lead or stone weights to increase the length of the jump. These weights were known as 'halteres' were held in front of the athlete during his ascent, and then swung behind his back and dropped during his descent to help propel him.

Ancient Greek Theatre

The Greek theatre history began with festivals honoring their gods. A god, Dionysus, was honored with a festival called by "City Dionysia". In Athens, during this festival, men used to perform songs to welcome Dionysus. Plays were only presented at City Dionysia festival.

Athens was the main center for these theatrical traditions. Athenians spread these festivals to its numerous allies in order to promote a common identity.

At the early Greek festivals, the actors, directors, and dramatists were all the same person. After some time, only three actors were allowed to perform in each play. Later few non-speaking roles were allowed to perform on-stage. Due to limited number of actors allowed on-stage, the chorus evolved into a very active part of Greek theatre. Music was often played during the chorus' delivery of its lines. Tragedy, comedy, and satyr plays were the theatrical forms. Tragedy and comedy were viewed as completely separate genres. Satyr plays dealt with the mythological subject in comic manner. Aristotle's Poetics sets out a thesis about the perfect structure for tragedy.

Tragedy plays:

Thespis is considered to be the first Greek "actor" and originator of tragedy (which means "goat song", perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.) However, his importance is disputed, and Thespis is sometimes listed as late as sixteenth in the chronological order of Greek tragedians.

Aristotle's Poetics contain the earliest known theory about the origins of Greek theatre. He says that tragedy evolved from dithyrambs, songs sung in praise of Dionysus at the Dionysia each year. The dithyrambs may have begun as frenzied improvisations but in the 600s BC, the poet Arion is credited with developing the dithyramb into a formalized narrative sung by a chorus.

Three well-known Greek tragedy playwrights of the fifth century are Sophocles, Euripides and Aeschylus.

Comedy plays:

Comedy was also an important part of ancient Greek theatre. Comedy plays were derived from imitation; there are no traces of its origin. Aristophanes wrote most of the comedy plays. Out of these 11 plays survived - Lysistrata, a humorous tale about a strong woman who leads a female coalition to end war in Greece.

Greek Theatre:

Theatre buildings were called a theatron. The theaters were large, open-air structures constructed on the slopes of hills. They consisted of three main elements: the orchestra, the skene, and the audience.

Orchestra: A large circular or rectangular area at the center part of the theatre, where the play, dance, religious rites, acting used to take place.

Skene: A large rectangular building situated behind the orchestra, used as a backstage. Actors could change their costumes and masks. Earlier the skene was a tent or hut, later it became a permanent stone structure. These structures were sometimes painted to serve as backdrops.

Rising from the circle of the orchestra was the audience. The theatres were originally built on a very large scale to accommodate the large number of people on stage, as well as the large number of people in the audience, up to fourteen thousand.

Acting:

The cast of a Greek play in the Dionysia was comprised of amateurs, not professionals (all male).

Ancient Greek actors had to gesture grandly so that the entire audience could see and hear the story. However most Greek theatres were cleverly constructed to transmit even the smallest sound to any seat.

Costumes and Masks:

The actors were so far away from the audience that without the aid of exaggerated costumes and masks.

The masks were made of linen or cork, so none have survived. Tragic masks carried mournful or pained expressions, while comic masks were smiling or leering.

The shape of the mask amplified the actor's voice, making his words easier for the audience to hear.

Artifacts

Ancient Greek Bronze Arrow from Asia Minor, dating to 1200 - 800 BC.

Ancient Greece-Macedon. 2nd century BC

Ancient Greek Lekythos

Ancient Greek Terracotta Head of a Veiled Goddess. Hellenistic Period, 350-100 BC

Byzantine Bronze cross, 800-1100 AD.

Byzantine cross. 9th-11th century AD.

Ancient Hellenistic Greece. 4th-1st Century BC.

Ancient Hellenistic Greece. 4th-2nd Century BC.

These coins funded the building of the Acropolis and Parthenon in Athens, as coins funded the building of the Acropolis and Parthenon in Athens, as well as funding the Peloponnesian War (431 BC--404 BC) between Athens and Sparta.

Ancient Greek Coins of Alexander III The Great of Macedon, 336 - 323 BC

Cherronesos, Thrace. 480-350 BC.

 
 
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