|
Ancient
Greek Language
The
Ancient Greeks were the first Europeans to read and write with
an Alphabet, which eventually led to all modern European languages.
The Ancient Greek Language has different theories of origin; firstly
some believe it migrated with the Proto-Greek speakers into the
Greek Peninsula, dating from 2500BC to 1700 BC. Second Theory
considers the migration into Greece happened before Proto-Greek,
so the characteristics of Greek sounds were later.
Greek
alphabet - Classical Attic pronunciation

Ancient
Greek Dialects
Different
variants of the early Greek alphabet suited to local dialects.
There were three major dialects in ancient Greece, Aeolic, Doric
and Ionic. Each of these were from different tribes, the Aeolians
lived in the islands of the Aegean, the Dorians, from the Greek
coast of Peloponnesus, including Crete, Sparta and other parts
of West Coast Asia Minor. The Ionians settled in the West coast
of Asia Minor including the Smyma.
The first surviving script for writing Greek was the Linear B
discovered in 1953. It was used for the archaic Mycenaean dialect.
When Mycenaean civilization was destroyed, there was a period
of roughly five hundred years, when writing was either not used,
or either that there was nothing that survived.
Homer's poetry
of the Iliad and Odyssey were written in a sort of literary Ionic
with some borrowed words from the other dialects. Ionic, became
the first literary language of ancient Greece until the ascendancy
of Athens in the late fifth century. Greek lyrical poetry and
Ancient Greek Tragedy was written in Doric.
Attic Greek
was a sub dialect of Ionic that belonged to the language of the
Athenians for centuries. Classical Literature that survived is
written in Attic Greek, this includes extant text of Plato and
Aristotle .
Hellenistic
Greek 'Koine' (meaning Common, also known as Biblical Greek) came
from the colonization of Asian Minoans to Egypt and to the Middle
East; this is where the language evolved into multiple dialects.
Alexander the Great was instrumental in combining these dialects
to make the 'Koine' dialect. As this allowed Alexander's combined
Army to communicate with itself and the language also taught the
inhabitants of the land he conquered, making Greek a world language.
This then allowed the Greek language to flourish during the Hellenistic
period.
From the beginning
of the classical period, Greek has been written in the Greek alphabet,
which was derived from the Phoenicians. This is clear from the
shape of the letters, even Herodotus in his book of Histories,
claimed the Greek alphabet included Phoenician styled letters
in the alphabet, However, the Phoenician language only had letters
for constants, which the Greeks adopted and evolved to included
letters of sounds that were not included. Early Ancient Greek
was also written from right to left, the same as the Phoenician.
Clothing
Ancient Greek
clothing was typically homemade and the same piece of homespun
fabric that was used as a type of garment, or blanket. From Greek
vase paintings and sculptures, we can tell that the fabrics were
intensely colored and usually decorated with intricate designs.
Clothing for
women and men consisted of two main garments-a tunic (either a
peplos or chiton) and a cloak (himation). The peplos was a large
rectangle of heavy fabric, usually wool, folded over along the
upper edge so that the over fold (apoptygma) would reach to the
waist. It was placed around the body and fastened at the shoulders
with a pin or brooch. There were armholes were on each side, and
the open side of the garment was either left that way, or pinned
or sewn to form a seam.
The chiton
was made of a much lighter material, normally linen. It was a
very long and very wide rectangle of fabric sewn up at the sides,
pinned or sewn at the shoulders, and usually girded around the
waist. Often the chiton was wide enough to allow for sleeves that
were fastened along the upper arms with pins or buttons. Both
the peplos and chiton were floor-length garments that were usually
long enough to be pulled over the belt, creating a pouch known
as a kolpos. Under either garment, a woman might have worn a soft
band, known as a strophion, around the mid-section of the body.
Men in ancient
Greece customarily wore a chiton similar to the one worn by women,
but knee-length or shorter. An exomis (a short chiton fastened
on the left shoulder) was worn for exercise, horse riding, or
hard labor. The himation (cloak) worn by both women and men was
essentially a rectangular piece of heavy fabric, either woolen
or linen. It was draped diagonally over one shoulder or symmetrically
over both shoulders, like a stole.
Women sometimes
wore an epiblema (shawl) over the peplos or chiton. Young men
often wore a chlamys (short cloak) for riding. Greek men occasionally
wore a broad-brimmed hat (petasos), and on rare occasions, Greek
women donned a flat-brimmed one with a high peaked crown.
Jewelry
Different
types of jewelry were produced in the Hellenistic period of Ancient
Greece-Necklaces, earrings, pendants, pins, bracelets, armbands,
thigh bands, finger rings, wreaths, diadems, and other elaborate
hair ornaments.
Bracelets
were often worn in pairs or in matched sets. Pieces were usually
inlaid with pearls and dazzling gems or semiprecious stones-emeralds,
garnets, carnelians, banded agates, sardonyx, chalcedony, and
rock crystal. Artists also incorporated colorful enamel inlays
that dramatically contrasted with their intricate gold settings.
Elaborate
subsidiary ornamentation drew plant and animal motifs, or the
relation between adornment and the goddess, Aphrodite, and her
son, Eros. Popular designs for earrings included; Airborne winged
figures, such as Eros, Nike, and the eagle of Zeus carrying Ganymede
up to Mount Olympus.
In Hellenistic
times, jewelry was often passed down through generation. Occasionally,
it was dedicated at sanctuaries as offerings to the gods. There
are records of headdresses, necklaces, bracelets, rings, brooches,
and pins in temple and treasury inventories, as, for example,
at Delos. Hoards of Hellenistic jewelry that were buried for safekeeping
in antiquity have also come to light. Some of the best-preserved
samples come from tombs where jewelry was usually placed on the
body of the deceased. Some of these pieces were made specifically
for interment; however, most were worn during life.
  
Ancient
Greek Everyday Life
Men if they
were not training in military, or discussing politics went to
the Theatre for entertainment. To watch dramas that they could
relate to, including tragedies and comedies. These often involved
current politics and gods in some form. It is thought that women
were not allowed to watch theatre or perform at the theatre, although
male actors did play women roles.
Lives of Women
in Ancient Greece were closely tied to domestic work, spinning,
weaving and other domestic duties. They were not involved in public
life or in politics. The live were normally quite confined to
the house although one public duty was acting as a priestess at
a temple.
Children in
ancient Greece usually occupied their time playing with toys and
games.
Farming and Food
The majority
of Ancient Greek people made their living from farming. Citizens
often had land outside the city which provided their income. The
Greek landscape and climate was difficult to farm.
Grapes were
usually picked around September and either kept for eating or
made into wine. Making wine was done by treading and kept in jars
to ferment. Olives were either picked by hand or knocked out of
the tress with wooden sticks. Some were crushed in a press to
produce olive oil and some eaten. This was an important product
to the Greeks that had many uses including; cooking, lighting,
beauty products and for athletic purposes. It is also believed
that uprooting an olive tree was a criminal offence. The grain
was usually harvest around October to ensure it would grow during
the wettest season. A man drove the ox driven plough, as second
man sowed the seeds behind. In Spring the Crops were harvested
using curved knives (sickles). After harvesting the grain, it
was then thrashed, using mules and the help of the wind to separate
the chaff from the grain, the husks were then removed by pounding
the grain with a pestle and mortar.
Ancient Greeks
usually ate bread (barley or wheat) and porridge, accompanied
with food such as cheese, vegetables, fish, eggs and fruit. Animal
such as deer, hare and boars were hunted only as addition to the
food supply. Seasoning usually involved coriander and sesame seeds.
Honey was probably the only sweetening that existed at the time,
importance this is shown as the beehives were kept in terracotta

Ancient
Greek Games
Greek boys
played games like hockey, which were not part of the Olympic Games.
The Ancient Greek boys usually played games naked, so girls were
forbidden to watch. Ancient Greek women and girls were not expected
to do much physical activity for recreation purposes. From this
pot we can see a young girl, juggling three balls, but there is
nothing to presume she was a performer, as she is dressed like
an ordinary girl.
The Ancient
Greeks also played games that did not involve much physical activity
also, such as marbles, dice, checkers and knucklebones. Below
is a famous vase from the Vatican museum depicting Achilles and
Ajax playing 'Petteia' checkers. The Ancient Greek version of
checkers was similar to what the current game of backgammon is
where the Game backgammon is derived from. The Ancient Greek version
of Checkers involved a board, stones and dice.
The Greeks
invented athletic contests and held them in honour of their Gods.
The Isthmos game were staged every two years at the Isthmos of
Corinth. The Pythian games took place every four years near Delphi.
The most famous games held at Olympia, South- West of Greece,
which took place every four years. The ancient Olympics seem to
have begun in the early 700 BC, in honour of Zeus. No women were
allowed to watch the games and only Greek nationals could participate.
One of the ancient wonders was a statue of Zeus at Olympia, made
of gold and ivory by a Greek sculptor Pheidias. This was placed
inside a Temple, although it was a towering 42 feet high.
The games
at Olympia were greatly expanded from a one-day festival of athletics
and wrestling to, in 472 BC, five days with many events. The order
of the events is not precisely known, but the first day of the
festival was devoted to sacrifices. On the Middle Day of the festival
100 oxen were sacrificed in honor of a God. Athletes also often
prayed and made small sacrifices themselves..
On the second
day, the foot-race, the main event of the games, took place in
the stadium, an oblong area enclosed by sloping banks of earth.
At Olympia there were 4 different types of races; The first was
stadion, the oldest event of the Games, where runners sprinted
for 1 stade, the length of the stadium(192m). The other races
were a 2-stade race (384 m.), and a long-distance run which ranged
from 7 to 24 stades (1,344 m. to 4,608 m.).The fourth type of
race involved runners wearing full amor, which was 2-4 stade race
(384 m. to 768 m.), used to build up speed and stamina for military
purposes.
On other days,
wrestling, boxing, and the pancratium, a combination of the two,
were held. In wrestling, the aim was to throw the opponent to
the ground three times, on either his hip, back or shoulder. In
ancient Greek wrestling biting and genital holds were illegal.
Boxing became
more and more brutal; at first the pugilists wound straps of soft
leather over their fingers as a means of deadening the blows,
but in later times hard leather, sometimes weighted with metal,
was used. In the pancratium, the most rigorous of the sports,
the contest continued until one or the other of the participants
acknowledged defeat.
Horse-racing,
in which each entrant owned his horse, was confined to the wealthy
but was nevertheless a popular attraction. The course was 6 laps
of the track, with separate races for whereupon the rider would
have no stirrups. It was only wealthy people that could pay for
such training, equipment, and feed of both the rider and the horses.
So whichever horse won it was not the rider who was awarded the
Olive wreath but the owner. There were also Chariot races, that
consisted of both 2-horse and 4-horse chariot races, with separate
races for chariots drawn by foals. There was also a race was between
carts drawn by a team of 2 mules, which was 12 laps of the stadium
track.
After the
horse-racing came the pentathlon, a series of five events: sprinting,
long-jumping, javelin-hurling, discus-throwing, and wrestling.
The ancient Greeks considered the rhythm and precision of an athlete
throwing the discus as important as his strength.
The discus
was a circle shaped stone, iron, bronze, or lead. There were different
sizes according to age groups. The javelin was a long wooden stick
shape with spear head, similar height to that of a person. In
the middle was bound a thong for a hurler's fingers to grip and
guide to the correct angle it was thrown.
To Jump long
distances athletes used lead or stone weights to increase the
length of the jump. These weights were known as 'halteres' were
held in front of the athlete during his ascent, and then swung
behind his back and dropped during his descent to help propel
him.
Ancient
Greek Theatre
The Greek
theatre history began with festivals honoring their gods. A god,
Dionysus, was honored with a festival called by "City Dionysia".
In Athens, during this festival, men used to perform songs to
welcome Dionysus. Plays were only presented at City Dionysia festival.
Athens was
the main center for these theatrical traditions. Athenians spread
these festivals to its numerous allies in order to promote a common
identity.
At the early
Greek festivals, the actors, directors, and dramatists were all
the same person. After some time, only three actors were allowed
to perform in each play. Later few non-speaking roles were allowed
to perform on-stage. Due to limited number of actors allowed on-stage,
the chorus evolved into a very active part of Greek theatre. Music
was often played during the chorus' delivery of its lines. Tragedy,
comedy, and satyr plays were the theatrical forms. Tragedy and
comedy were viewed as completely separate genres. Satyr plays
dealt with the mythological subject in comic manner. Aristotle's
Poetics sets out a thesis about the perfect structure for tragedy.

Tragedy
plays:
Thespis is
considered to be the first Greek "actor" and originator
of tragedy (which means "goat song", perhaps referring
to goats sacrificed to Dionysus before performances, or to goat-skins
worn by the performers.) However, his importance is disputed,
and Thespis is sometimes listed as late as sixteenth in the chronological
order of Greek tragedians.
Aristotle's
Poetics contain the earliest known theory about the origins of
Greek theatre. He says that tragedy evolved from dithyrambs, songs
sung in praise of Dionysus at the Dionysia each year. The dithyrambs
may have begun as frenzied improvisations but in the 600s BC,
the poet Arion is credited with developing the dithyramb into
a formalized narrative sung by a chorus.
Three well-known
Greek tragedy playwrights of the fifth century are Sophocles,
Euripides and Aeschylus.
Comedy
plays:
Comedy was
also an important part of ancient Greek theatre. Comedy plays
were derived from imitation; there are no traces of its origin.
Aristophanes wrote most of the comedy plays. Out of these 11 plays
survived - Lysistrata, a humorous tale about a strong woman who
leads a female coalition to end war in Greece.
Greek
Theatre:
Theatre buildings
were called a theatron. The theaters were large, open-air structures
constructed on the slopes of hills. They consisted of three main
elements: the orchestra, the skene, and the audience.
Orchestra:
A large circular or rectangular area at the center part of the
theatre, where the play, dance, religious rites, acting used to
take place.
Skene: A large
rectangular building situated behind the orchestra, used as a
backstage. Actors could change their costumes and masks. Earlier
the skene was a tent or hut, later it became a permanent stone
structure. These structures were sometimes painted to serve as
backdrops.
Rising from
the circle of the orchestra was the audience. The theatres were
originally built on a very large scale to accommodate the large
number of people on stage, as well as the large number of people
in the audience, up to fourteen thousand.
Acting:
The cast of
a Greek play in the Dionysia was comprised of amateurs, not professionals
(all male).
Ancient Greek
actors had to gesture grandly so that the entire audience could
see and hear the story. However most Greek theatres were cleverly
constructed to transmit even the smallest sound to any seat.
Costumes
and Masks:
The actors
were so far away from the audience that without the aid of exaggerated
costumes and masks.
The masks
were made of linen or cork, so none have survived. Tragic masks
carried mournful or pained expressions, while comic masks were
smiling or leering.
The shape
of the mask amplified the actor's voice, making his words easier
for the audience to hear.
Artifacts

Ancient Greek
Bronze Arrow from Asia Minor, dating to 1200 - 800 BC.
Ancient Greece-Macedon. 2nd century BC
Ancient Greek Lekythos

Ancient Greek
Terracotta Head of a Veiled Goddess. Hellenistic Period, 350-100
BC
Byzantine Bronze cross, 800-1100 AD.
Byzantine cross. 9th-11th century AD.

Ancient Hellenistic
Greece. 4th-1st Century BC.

Ancient Hellenistic
Greece. 4th-2nd Century BC.
These coins
funded the building of the Acropolis and Parthenon in Athens,
as coins funded the building of the Acropolis and Parthenon in
Athens, as well as funding the Peloponnesian War (431 BC--404
BC) between Athens and Sparta.

Ancient Greek
Coins of Alexander III The Great of Macedon, 336 - 323 BC

Cherronesos,
Thrace. 480-350 BC. |